Hardcore for Nerds

"Why sneer at the intellectuals?"*
punk music, left politics, and cultural history - previously found here.
contact: gabbaweeks[at]gmail.com (sorry, no promos/submissions, thanks) or ask
Dublin, Ireland. 24, male, history graduate
HFN | HFN 2011 HFN 2010 hfn2k9 HRO 2k9 Hoover Genealogy Project | Hitler Runoff | @HC4N
*from the title of a review of Arthur Koestler's Arrival and Departure by Michael Foot, Evening Standard, Nov. 26, 1943.
Jan 04
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mothsinamoshpit asked: I feel a huge sense of relief in the track. "Big fat bluebird" I think is just her looking out of her bedroom window. It's as if she's looking around, taking note of what she sees, similar to in "California," except this time she is entirely content with it.

(still talking about EMA’s ‘Breakfast’)

Definitely with you on the relief thing. However, as much as I know a bluebird is an actual, ornithological reality in North America I can’t help but think just of the little birds flitting round people’s heads in cartoons (American cartoons, so maybe you think that too, but likely not in isolation). Something something simulacrum, I guess. 

Yeah, it really is a beautiful song. Sonically I mostly associate it with the classic 90s ‘slowcore’ sound, as with ‘Anteroom’, but maybe it’s not sad enough?

EMA slowcore american exceptionalism
Comments (View) | 6 notes
  1. goodbyemisery said: I’m not entirely sure “slowcore” necessarily implies sadness, even if it’s really good at that emotion.
  2. hardcorefornerds posted this
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