Hardcore for Nerds

"Why sneer at the intellectuals?"*
punk music, left politics, and cultural history - previously found here.
contact: gabbaweeks[at]gmail.com (sorry, no promos/submissions, thanks) or ask
Dublin, Ireland. 24, male, history graduate
HFN | HFN 2011 HFN 2010 hfn2k9 HRO 2k9 Hoover Genealogy Project | Hitler Runoff | @HC4N
*from the title of a review of Arthur Koestler's Arrival and Departure by Michael Foot, Evening Standard, Nov. 26, 1943.
Jan 06
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Past Life may have been cathartic to make, but it felt less like a personal statement and more like an acknowledgment of shared understanding. Anderson’s songs have blood and viscera and ache but they never feel like exhibitionism because we’ve felt these things, too. In “Red Star”, the narrator evokes the cosmos as a relationship disintegrates, and the song builds and builds until the “like a red star” refrain becomes “like a blue scar.” And then the album comes to an abrupt end. Blue scars are the ones that hurt, and the movement from infinite scale down into this small, private pain— the absurdity of that juxtaposition— is partly what gives Past Life its power.

Pitchfork: Top 50 Albums of 2011 - 13. EMA - Past Life Martyred Saints by Mark Richardson

Apropos of what I said yesterday, this is some really good writing - and thinking - about EMA. ‘Red Star’, which I wrote about at length originally here (and posted the early tape-recorded acoustic version here) contains two of my favourite sections from EMA’s lyrics: 

“Got a strange fascination

I been holdin on the one

for that strange revelation

I been holdin on too long”

and

“…if you don’t love me

someone will”

which I think are a pretty profound illustration of the juxtaposition mentioned above. They’re practically Buddhist in their acceptance of worldly pain and suffering and the inability to grasp transcendence rather than simply being it.

EMA buddhism philosophy
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