Hardcore for Nerds

"Why sneer at the intellectuals?"*
punk music, left politics, and cultural history - previously found here.
contact: gabbaweeks[at]gmail.com (sorry, no promos/submissions, thanks) or ask
Dublin, Ireland. 24, male, history graduate
HFN | HFN 2011 HFN 2010 hfn2k9 HRO 2k9 Hoover Genealogy Project | Hitler Runoff | @HC4N
*from the title of a review of Arthur Koestler's Arrival and Departure by Michael Foot, Evening Standard, Nov. 26, 1943.
May 24
Permalink

raptoravatar:

nineteenfiftysix:

Future Of The Left - Sheena Is A T-Shirt Salesman (The Plot Against Common Sense, 2012)

Awww Shit!

this is significantly better than Japandroids. (that is an understatement). I think it transcends the problem I usually have with Future of the Left, that it sounds like it’s produced with two buttons on a synthesizer (fast and faster, or intense and intenser) by having a hook that’s big enough to sink into my thick non-Andy Falkous-worshipping musical brain (though I realise I’ve just described synthesized hardcore, which is totally fucking post-punk-rock).

it also sounds a little like a Punk-O-Rama CD somewhere in between 9 and 12, though, and The (International) Noise Conspiracy with less pose and more gumption (I reckon it’s safe to assume that’s a good thing). who wants to buy the revolution?

Future Of The Left post-punk irony
Comments (View) | 10 notes
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Japandroids

backleftlitz:

[…]

The question requires some unpacking, and I guess if I wanted to be a concise/trenchant/on-point writer-type I’d do the unpacking on my own time and then present you with the well-defined contents of said package afterwards, but this is after all a sporadically updated Tumblr blog so I figure I might as well just let you watch me pry at the duct tape with a butter knife; let’s let the packing peanuts fly, here. So: D.I.Y., right, you might not be a musical prodigy or have a marketable look but you can, if you want, make some songs in your bedroom or best friend’s studio that might sound like tinnier derivations of your more talented idols’ best work but that still ideally will bear your own personal stamp (because even the most ‘boring’ dude in the room still has a three-dimensional interior life and a distinctive fingerprint, and also don’t like 95% of indie rock reviews that aren’t of Established Innovators like Animal Collective feature some variant of the line “a fresh take on a familiar sound,” and also jesus sorry for the stumblingly incoherent nature of this blog post, I started seeing a girl I like a couple of months ago and that coupled w/ looming graduation anxiety and your average laziness (and also fear!!) has been why I haven’t really updated this cobweb-ridden blog in some time, and my logic now is like ‘if you ever want to start this thing back up then you’re gonna have to just DIIV back into it headlong’) and so yes, anyway, you have your vaccine-inventors and your vegetarian burger chain magnates, your Noah Lennoxes and your Phil Elverums, but for the most part you have this great mass of bands that really are a lot like us: Passionate non-geniuses, men and women carving out a niche for themselves many rungs below whatever rung the New York Times Arts critics pay attention to but still changing lives, and in this way the gorgeously uninteresting ’90s indie rock band Seam and my mother are basically the same person.

[…]

there was a band exactly like Japandroids around five years ago. they were called Latterman. I just listen to two songs from Celebration Summer and I got SO many memories of promising but ultimately unfulfilling youthful pop-punk. awesome!(!!) nostalgia!

post-punk irony japandroids
Comments (View) | 49 notes
May 04
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tomewing:

There’s nowhere to go for the Express after this one: the zen essence of Express-ness has been located.

“Opponents fear the plan [“for merging the jobs currently done by Herman Van Rompuy, president of the European Council, and Jose Manuel Barroso, president of the European Commission”] could create a modern-day equivalent of the European empire envisaged by Napoleon Bonaparte or a return to the Holy Roman Empire of Charlemagne that dominated Europe in the Dark Ages.”
I’m only vaguely interested in seeing the rest of the article and how it justifies the headline - probably the very last paragraph, which no-one reads, factually contradicts it. No doubt the plan to merge the two top bureaucrats isn’t even really true (and wouldn’t that be an efficiency - or is the Express above that sort of mere quango-burning?)
On a historical note, the Holy Roman Empire and Charlemagne could be said to be the end (or at least the beginning of the end) of the Dark Ages, and the start of the medieval period. And it was more advanced than the Saxon kingship in ‘Britain’ at the time - among other things, the early renaissance of the medieval ages brought about the rediscovery of Roman law and jurisprudence; much like the Napoleonic conquests spread the basis of the modern (non-Anglo-Saxon) European legal system, the Napoleonic code, across much of the continent.
Of course, not only are those two things obvious precursors of the EU, they’re both pretty French (or Frankish, as the case may be)… obviously the Express is still stuck in Agincourt, although the “shady Berlin group” is a masterful piece of updating their political coverage to the Second World War.

tomewing:

There’s nowhere to go for the Express after this one: the zen essence of Express-ness has been located.

“Opponents fear the plan [“for merging the jobs currently done by Herman Van Rompuy, president of the European Council, and Jose Manuel Barroso, president of the European Commission”] could create a modern-day equivalent of the European empire envisaged by Napoleon Bonaparte or a return to the Holy Roman Empire of Charlemagne that dominated Europe in the Dark Ages.”

I’m only vaguely interested in seeing the rest of the article and how it justifies the headline - probably the very last paragraph, which no-one reads, factually contradicts it. No doubt the plan to merge the two top bureaucrats isn’t even really true (and wouldn’t that be an efficiency - or is the Express above that sort of mere quango-burning?)

On a historical note, the Holy Roman Empire and Charlemagne could be said to be the end (or at least the beginning of the end) of the Dark Ages, and the start of the medieval period. And it was more advanced than the Saxon kingship in ‘Britain’ at the time - among other things, the early renaissance of the medieval ages brought about the rediscovery of Roman law and jurisprudence; much like the Napoleonic conquests spread the basis of the modern (non-Anglo-Saxon) European legal system, the Napoleonic code, across much of the continent.

Of course, not only are those two things obvious precursors of the EU, they’re both pretty French (or Frankish, as the case may be)… obviously the Express is still stuck in Agincourt, although the “shady Berlin group” is a masterful piece of updating their political coverage to the Second World War.

europe uk history irony
Comments (View) | 12 notes
Apr 24
Permalink
By forging a conversation about rights, by insistently talking about the silences of Central Europe’s present and past - by moralizing shamelessly in public, as it were - Havel and others were building a sort of ‘virtual’ public space to replace the one destroyed by Communism.

Tony Judt, Postwar: A History of Europe since 1945

THE NEXT REVOLUTION WILL BE TUMBLRED 

history internet irony judt
Comments (View) | 2 notes
Apr 20
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polyvinylrecords:

Did you know we have an Instagram account? Check us out @polyvinylrecords
And good luck record shopping tomorrow! Hope your turntable likes the treats you bring home.

Oh man, the Internet needs some kind of simulacrum meter. Taking Instagram photos of vinyl records you just purchased, new, probably ranks a 0.34 at minimum.
(Don’t mean to be snarky! Buy all the stuff you want!)

polyvinylrecords:

Did you know we have an Instagram account? Check us out @polyvinylrecords

And good luck record shopping tomorrow! Hope your turntable likes the treats you bring home.

Oh man, the Internet needs some kind of simulacrum meter. Taking Instagram photos of vinyl records you just purchased, new, probably ranks a 0.34 at minimum.

(Don’t mean to be snarky! Buy all the stuff you want!)

vinyl irony
Comments (View) | 23 notes
Apr 12
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[Flash 9 is required to listen to audio.]

Fugazi - ‘Fell, Destroyed’ from Red Medicine (1995)

This is pretty stupid and embarrassing to admit, but I inadvertently bought Red Medicine on vinyl today. I noticed a couple of weeks ago that Tower Records in Dublin had a bunch of Fugazi LPs in stock, one of them being The Argument (which I’d always thought was the only post-Repeater/maybe Steady Diet Fugazi album that I really liked) and which I intended to pick up. And to my intuitive visual mind, two albums with fairly abstract, textured covers look quite alike… so when I came home and unwrapped it, I found I had Red Medicine instead. And I love it!

I’ve previously thought of this era of Fugazi, and this album in particular, as pretty inaccessible, but whether it’s because the LP format breaks it up somewhat, or I’ve finally reached the age of maturity when I reckoned I’d appreciate Fugazi more fully, it’s really clicking with me. The fact that it’s chronologically sited in the period where my favourite noisy, abrasive, emotionally and technically adventurous post-hardcore comes from (‘94-‘95, albeit a little late… but it’s close to halfway between Indian Summer/Hoover and Hot Water Music) makes sense to me, because it’s not like I don’t like noisy, apparently disjointed music - in fact I love it - but I never felt like Fugazi presented itself to me in the right way. Instrument was a help in that respect, but it hadn’t really transferred to proper album listening until now.

I love this song at the end of the first side, a very Slinty-sounding little number that nevertheless adds a few extra layers of space (you can still kinda hear Repeater in this, I think) and twists itself around the lyrics of mental health and medication: it’s time to fake resignment. Except my excitement for this is as genuine as anything can be.

(and there’s a space-jazz dub track called ‘Version’. of course!)

90s dischord fugazi irony post-hardcore HFN
Comments (View) | 36 notes
Apr 09
Permalink

What the fuck.

easpageag:

solarimpulses:

Dave just told me that Ireland is two separate countries.

What the fuck have you been teaching me, America?

end partition now*!

*subject to the principle of consent of the people of the two countries

irish politics irony
Comments (View) | 8 notes
Jan 30
Permalink

Sh!t White People Say: Pt. 2

“I hope Das Racist cancelling their entire European tour for undisclosed personal reasons is just a massive postcolonialist joke.”

(previously)

das racist irony
Comments (View) | 10 notes
Jan 19
Permalink
slaughterhouse90210:

“…She thinks, for the hundredth time, that in their emotional life all these intelligent men use a level so much lower than anything they use for work, that they might be different creatures.”—Doris Lessing, The Golden Notebook

BUT THEY ARE AT WORK! WHY DO WOMEN MAKE EVERYTHING SO DIFFICULT?
(reblogging mainly because this is the first time I think I have read/watched, and enjoyed, both parts of a Slaughterhouse 90210 post)

slaughterhouse90210:

“…She thinks, for the hundredth time, that in their emotional life all these intelligent men use a level so much lower than anything they use for work, that they might be different creatures.”
—Doris Lessing, The Golden Notebook

BUT THEY ARE AT WORK! WHY DO WOMEN MAKE EVERYTHING SO DIFFICULT?

(reblogging mainly because this is the first time I think I have read/watched, and enjoyed, both parts of a Slaughterhouse 90210 post)

(via likeapairofbottlerockets)

feminism irony the golden notebook books tv
Comments (View) | 235 notes
Jan 18
Permalink

Humor me here.

marathonpacks:

For those of you who saw Tune-Yards’ whokill win the critics’ poll and went “ugggggghhhhh,” what is it that you don’t like about the album (or the artist)? I’m honestly not trolling here, I promise! I love the album (it was my #1), but I understand that her election as President Of Music doesn’t come with a mandate or anything. She’s still sold less than 50k, her victory was perhaps aided by vote-splitting because of the Internet’s Horn Of Plenty, and so on. But for those who hate whokill and/or Tune-Yards, what is it? Not a lot of bad stuff has been written about whokill this year. Is it:

  • Her “feral and/or primal” aesthetic?
  • Her unique singing voice?
  • Her use of loop pedals and/or ukeleles? 
  • Her political edge and/or feminism?
  • Her appropriation of au courant West African musical signifiers and/or the use of “gangsta”?
  • Her pre-emptive recognition of such appropriation, which she embeds into the music itself?
  • UGGGGGGH INDIE?
  • The fact that she doesn’t represent “2011 music” as well as _____________?
  • EDIT: Her UnCoNvEnTiOnAl UsE oF OrThOgRaPhY? (thanks to Tom)

I’m going to go out on a limb here and say that, although I don’t hate Tune-Yards, if I did it would be, by process of elimination, point #1 - simply because all the others basically describe the Dirty Projectors and/or Vampire Weekend, both artists I really liked over the past few years (apart from the last two points, which don’t really mean anything to me). I don’t really understand what the first point means, but as the glaringly obvious connection between those other two groups is that they are (all or mostly) male, the natural conclusion is that I find female musicianship “feral and/or primal” in its aesthetics. but does that mean EMA lacks such aesthetics? maybe, if aggression translates less into intimidation than an absence of cool. which is what ‘Bizness’ basically reads as to me - it’s frantic and anxious, and that’s a totally great thing in itself but it’s not what appeals to me; maybe what I find in the Dirty Projectors or Vampire Weekend is an extra layer of cynicism which I find more relatable, even if Tune-Yards is more direct for other people. I dunno, it’s an interesting thing to generalise about (which is what this is, to a ridiculous degree) because it poses questions about how we come to functionally similar things as more general kind of listeners. 

indie feminism irony
Comments (View) | 17 notes